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	<title>Pandra Williams</title>
	<link>http://www.pandrawilliams.com</link>
	<description>Just another WordPress weblog</description>
	<lastBuildDate>Tue, 11 Jan 2011 05:04:29 +0000</lastBuildDate>
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		<title>After the Suburbs&#8230;</title>
		<description><![CDATA[January 2011
Kiang Gallery
THE AMERICAN SUBURBS OF THE 20TH CENTURY ARE NOTORIOUSLY BRANDED:
BRIGHT, SAFE AND BRAND-NEW. THE HOMES AND THE TIGHTLY SYMMETRICAL SHRUBBERY
IDEALIZE ORDERED GARDENS, COMFORT AND SPACIOUSNESS. THIS ENVIRONMENT IS
MYTHOLOGIZED AS THE ULTIMATE, AFFORDABLE EDEN, WHERE THE WILDERNESS OF BOTH
THE COUNTRY AND THE CITY CENTERS ARE MANAGED AT A CONTROLLABLE DISTANCE.
HOWEVER, THE NEW CENTURY BRINGS [...]]]></description>
		<link>http://www.pandrawilliams.com/content/shows/after-the-suburbs</link>
			</item>
	<item>
		<title>southXeast: Contemporary Southeastern Art</title>
		<description><![CDATA[January 28 &#8211; April 9th
]]></description>
		<link>http://www.pandrawilliams.com/content/shows/southxeast-contemporary-southeastern-art</link>
			</item>
	<item>
		<title>Suburbs vs. moss</title>
		<description><![CDATA[Suburbs-
We want green, but we want to control it.  Mow it, trim it, contain it, cut it, if it doesn&#8217;t behave or doesn&#8217;t fit our plans, poison  it, kill it.
False sanitary neatness, cleanliness &#8230;Birds are ok as long as they don&#8217;t poop on our car.   Chipmunks are cute as long as they don&#8217;t wreck our [...]]]></description>
		<link>http://www.pandrawilliams.com/content/blog/suburbs-vs-moss</link>
			</item>
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		<title>Georgia Clay at Terminus</title>
		<description><![CDATA[October 13, 2010 – January 14, 2011
&#8220;Georgia has a long history of clay being used to produce vessels of all shapes and sizes&#8230;The art form that these artists explore is not necessarily “functional,” but a more sculptural, artistic expression using clay, porcelain and ceramics as the medium. &#8221;
– Anne Lambert Tracht, Curator
]]></description>
		<link>http://www.pandrawilliams.com/content/work/georgia-clay-at-terminus</link>
			</item>
	<item>
		<title>Aeriathrae</title>
		<description><![CDATA[Aeriathrae
Artist’s statement:
Dust seeds, balloon seeds, samaras and pseudosamaras, are all formed with characteristics that catch the power of the wind.  Tiny embryos swirl around us as we walk down urban streets, blow past us on vagrant breezes as we drive through suburbia, or careen down the highway in our cars.  The air is full of [...]]]></description>
		<link>http://www.pandrawilliams.com/content/work/installation/aeriathrae</link>
			</item>
	<item>
		<title>Hand to Hand</title>
		<description><![CDATA[ATHICA: Athens Institute for Contemporary Art, Inc. presents:
Mission Accomplished
August 14 &#8211; September 26, 2010
Opening Reception:
Saturday, August 21st, 7:00 – 9:00 p.m.
]]></description>
		<link>http://www.pandrawilliams.com/content/shows/hand-to-hand</link>
			</item>
	<item>
		<title>About the Radicis installation</title>
		<description><![CDATA[<strong>radix -icis f.</strong>   Latin.  [a root; the foot of a mountain]; in gen. [foundation , basis, origin]

The foundation of most life on the planet is derived from the sun's energy.  ]]></description>
		<link>http://www.pandrawilliams.com/content/blog/about-the-radicis-installation</link>
			</item>
	<item>
		<title>Radicis</title>
		<description><![CDATA[radix -icis f.  Latin.  [a root; the foot of a mountain]; in gen. [foundation , basis, origin]
The foundation of most life on the planet is derived from the sun&#8217;s energy.
The sun is the great engine, radiating energy throughout the cosmos, onto our planet. Plants absorbing that energy turn it into carbohydrates, sugars: food.
The [...]]]></description>
		<link>http://www.pandrawilliams.com/content/work/installation/radicis</link>
			</item>
	<item>
		<title>Annette Gates and Pandra Williams at Kiang Gallery &#8211; Access Atlanta</title>
		<description><![CDATA[“Williams merges her clay sculpture, installation practice and environmental advocacy in the magical “Radicis, ” an installation of abstracted natural forms that glows strange and wonderful…”
]]></description>
		<link>http://www.pandrawilliams.com/content/reviews/annette-gates-and-pandra-williams-at-kiang-gallery-access-atlanta</link>
			</item>
	<item>
		<title>Artists collaborative Kiang Gallery show is a natural wonder &#8211; Creative Loafing</title>
		<description><![CDATA[“…In &#8220;Radicis,&#8221; Williams hybridizes the natural world and the technological one… As a successful artistic collaboration, In Significance becomes its own ecosystem in which each artist&#8217;s work has its own presence and makes its own contribution, but is given greater significance by the other&#8217;s presence.”
]]></description>
		<link>http://www.pandrawilliams.com/content/reviews/artists-collaborative-kiang-gallery-show-is-a-natural-wonder</link>
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